It is a frigid night here in the old manse. I and my armchair have danced one another across the length of the study to draw in closer to the fire. At this proximity I am now and again singed by an escaping ember, but otherwise I am quite content with my situation. Hypnotized by the elegant choreography of the flames and the burning question “what is fire?”, I meanwhile have one of my compositions running its verses and choruses in a circle throughout the entirety of my consciousness. It is a philosophical piece entitled Live Forever which I penned around this time last year. I having discounted it many months ago, it has recently resurfaced in the odd way that songs often want to do. In this case, it is perhaps because the emotions from which it was born are systematically evoked by Old Man Winter. Nonetheless, it has in the past few days been the object of my fancy.
Yesterday morning I arose in particularly high spirits. It had been my intention, prior, to make of it a ‘recording day’ and so I did. I drew the curtains and silenced the telephone, sealing my intention to be undisturbed and beginning right away with Live Forever. It is important to note, by the way, that this session was part of the pre-production process for the making of my upcoming release. Since I am working mostly alone, it is a crucial step in the process because it allows me to experiment with various arrangements, production techniques, and nuances in performance; giving me the ability to listen-back with objectivity. In the way that the audio recording of one’s speaking voice can vary in timbre from the way one hears it in his own head, so is there often a great dissimilarity between the recorded and imagined versions of a song. In my experience, it can be quite humbling or even disheartening to be confronted by this divergence. With persistence, however, I have found that it is a gap which eventually can close through a combination of will and acceptance. I know that I am not prepared to move forward on the final rendition of a song until this does happen. Yesterday with Live Forever, to recklessly mis-quote Maslow, this ‘peak experience’ did finally occur.
I began by strategically placing microphones throughout my great room so as to capture not only my instrument and voice but also the characteristic ambience of this hallowed place. I sat in a chair and performed in a manner dictated by my mood (I have found it futile to attempt to do otherwise). What resulted was a solid solo performance of the tune, not magical necessarily, but acceptable for my purposes. Previously I had set up one of my antique drum kits in anticipation of this session, and so I shifted straight to the mind-set of percussionist. This was the part which was at the center of this experiment. Could I actualize the rhythmic element of my mental sound-image? When I began to play, it was apparent to me (both on and off wax) that I was badly out of practice. I spent the next hour or so devising a part and rehearsing. When I was ready I continued with the awkward and seemingly unnatural process of playing music with myself. In preservation of that topic for some future Journal entry, I will move on by saying it was a success! After a lengthy process of trial and error, I rendered a part that was very much to my liking. The essence of this song which had spent the better part of a year lodged in some shadowy nook within my mind was now coming into light. Dear God!….IT’S ALIVE! I wasn’t crazy all along…..!
In conclusion, I have assimilated enough data to move forward on the mass-production of this invention. It fills the basic criteria of a worthwhile product in that it a) is something entirely new b) satisfies a basic need c) is for the common good of mankind d) rocks. Now on to the next experiment: Does sleep actually obviate delusions?
Mister H